Reclaiming the culture of Lebanon with culture and art: reviving Hamra Street with graffiti.
By: Kerning Cultures
Yazan Halwani is a street artist, still in his early 20s. Over the past year, I’ve met with Yazan a few times, following his work closely and always, with great admiration. When I finally got to sit down with him to record this episode, it was in a large studio that was given to him to use in the building on which he had just finished his iconic Sabah mural – how appropriate, I thought.
Photo Credit: @yazanhalwani. “Sabah” by night, painted in Beirut, Lebanon.
There were no chairs in this studio – only large canvases laid along the walls and concrete columns, paint spread across the room on canvas and floor, and a few large wooden wheels that we tried to sit on.
Photo Credit: @yazanhalwani
Yazan is energetic and friendly. Fluent in three languages (at least), he speaks quickly and passionately about his art, and about the meaning behind each piece. It’s not just paint on a wall – it’s a statement, it’s a cultural diary, “I paint people that define the streets of Beirut or the cities of Lebanon, or Arabs in general. So it could range from Fairuz, to Sabah, to Mahmoud Darwish, who is a Palestinian poet but also a symbol of peaceful resistance within the Israeli-Arab conflict. If you read his poetry you would see his peaceful face of resistance, ” he tells me.
Photo Credit: @yazanhalwani “Mahmoud Darwish” @djerbahood project painted in Djerba, Tunisia.
But what makes Yazan different is not so much that he paints the popular Arab icons, it’s that he paints the non-obvious ones. He paints murals to commemorate the lives of people who touch our streets. He paints people like Ali Abdullah, a homeless man who used to live facing the American University of Beirut and was a regular face of this street before he passed away two years ago:
Photo Credit: @yazanhalwani Ali Abdullah, painted in Beirut, Lebanon.
Or, he paints people like my new favorite, Fares:
Photo Credit: @yazanhalwani painting Fares, “The Flower Salesman” in Dortmund, Germany.
Fares was a young Syrian boy who became a well-known figure among bar-goers on Beirut’s Hamra street for selling flowers all night outside the popular bars. Fares was adorable – soft spoken, big brown eyes, and hair that was always so slick and well kept. This summer, Fares died in Syria, like many other children, at the hands of the brutal civil war.
In September, Yazan completed a mural commemorating Fares in Dortmund, Germany, a city which has accepted hundreds of thousands of Syrian migrants and refugees. The young face will now grace all those who pass by him in Dortmund, far away from the conflict that took Fares’ life.
Photo Credit: @yazanhalwani Fares, “The Flower Salesman” in Dortmund, Germany.
For me, Yazan is the epitome of hope amongst the youth of Lebanon. He takes what others and I hope for Lebanon, and he translates it into beautiful visuals along the streets of our capitals.
But he cringes a little when I suggest that he may perhaps be a Lebanese icon himself, “I don’t feel comfortable being that to be honest, but I think I am the embodiment of a feeling that is here within Lebanese society. Especially the younger generation, but not so many people are doing something about it,” Yazan says.
“If you talk to any young person living in Lebanon now, he would talk to you about similar stuff. About the grasp of corrupt politicians to Lebanon, about hopes and dreams, about so many things, about taking back the city and so many people are working on that. I like to think I am just the expression of some people’s positive thoughts. That’s it.”
Featuring:
Yazan Halwani is a street artist from Beirut, Lebanon who paints murals through a combination of renewed Arabic calligraphy and portraits. Dubbed “Beirut’s Banksy” by Arab and international media, Yazan has painted in a number of countries including: France, Singapore, Germany, Beirut, Tunisia, and the UAE.
Maria Bashshur Abunnasr is a research associate at the Neighborhood Initiative and an oral history/history consultant at the American University of Beirut. She has a PhD in History, with an emphasis on oral and public history from University of Massachusetts Amherst, and her dissertation entitled The Making of Ras Beirut: A Landscape of Memory for Narratives of Exceptionalism, 1870-1975 attends to the history of Ras Beirut’s community, urbanization, and memory in relation to the American University of Beirut (AUB).
Credits
Written and directed by Dana Ballout with co-production by Hebah Fisher.
Sound design by Ramzi Bashour.
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Special thanks to Yazan Halwani, Maria Abunnasr, with music by Khaled el Habr, “شارع الحمرا“ and Sabah “جيب المجوز يا عبود”
Originally featured on Kerning Cultures.
Ray Hanania is an award winning political and humor columnist who analyzes American and Middle East politics, and life in general. He is an author of several books.
Hanania covered Chicago Politics and Chicago City Hall from 1976 through 1992 at the Daily Southtown and the Chicago Sun-Times. He began writing in 1975 publishing The Middle Eastern Voice newspaper in Chicago (1975-1977). He later published “The National Arab American Times” newspaper (2004-2007).
Hanania writes weekly columns on Middle East and American Arab issues as Special US Correspondent for the Arab News ArabNews.com, at TheArabDailyNews.com, and at SuburbanChicagoland.com. He has published weekly columns in the Jerusalem Post newspaper, YNetNews.com, Newsday, the Orlando Sentinel, Houston Chronical, and Arlington Heights Daily Herald.
Hanania is the recipient of four (4) Chicago Headline Club “Peter Lisagor Awards” for Column writing. In November 2006, he was named “Best Ethnic American Columnist” by the New American Media. In 2009, Hanania received the prestigious Sigma Delta Chi Award for Writing from the Society of Professional Journalists. He is the recipient of the MT Mehdi Courage in Journalism Award. He was honored for his writing skills with two (2) Chicago Stick-o-Type awards from the Chicago Newspaper Guild. In 1990, Hanania was nominated by the Chicago Sun-Times editors for a Pulitzer Prize for his four-part series on the Palestinian Intifada.
His writings have also been honored by two national Awards from ADC for his writing, and from the National Arab American Journalists Association.
Hanania is the US Special Correspondent for the Arab News Newspaper, covering Middle East and Arab American issues. He writes for the Southwest News newspaper group writing on mainstream American issues.
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